The Rural Studio, a program of Auburn University's College of Architecture, Design and Construction, has earned an admirable international reputation and has been widely imitated.
Based in Hale County, one of Alabama's poorest counties, the studio has designed and built dozens of remarkable but modest houses and community buildings for impoverished
families. By moving predominately white architecture students out of university classrooms and into largely African American
Black Belt communities, the studio not only has taught young architects to design and construct exceptional buildings, but also to forge
relationships in a world that most of them would not have encountered otherwise. In addition to being a social welfare and
education program, the studio, which employs donated, leftover, salvaged, and nontraditional materials, has also become a
model for sustainability in construction.
The Rural Studio was established in 1993 by professors Dennis K. Ruth, then head of Auburn's architecture department, and architecture professor Samuel Mockbee, an idealist who believed that everyone, rich or poor, deserved an inspiring home. He was convinced that architecture should have a moral aspect and that architects should care more about improving living conditions than their own fame and fortune. Mockbee took over as head of the studio, first in the Hale County seat of Greensboro and then nine miles down the road in tiny Newbern. He chose the location for the studio because Hale County's poverty rate was more than 30 percent and the residents, mostly African American, had little chance of other outside help. The studio's 150-mile distance from Auburn ensured that students would have few distractions from their work in the community.
In 1994, with a $250,000 grant from the Alabama Power Foundation, the studio designed and constructed its first two houses and its first community building, in Mason's Bend. The community consists of four extended families of about 100 people who lived in tumbledown dwellings along a dirt road that tucks into a bend of the Black Warrior River. The studio's first house was for Shepherd and Alberta Bryant, who had been living with their three grandchildren in an unheated shack without plumbing. The Bryants explained to Mockbee and his students that they wanted mainly two things in a house: a big front porch and a room big enough for a bed and a desk for each of the three children.
To create an inexpensive, well-insulated dwelling, the students constructed walls using hay bales wrapped in polyurethane that were fastened with wire, stacked like bricks, and then covered with stucco. In the finished dwelling, known appropriately as the Hay Bale House, three barrel-shaped niches for the children extend from the rear of the main interior space, and a wide covered porch runs the length of the house in front.
The Rural Studio's second house was for Anderson Harris and his disabled wife Ora Lee. Mockbee and his students observed that the couple enjoyed spending time on their small porch, so the studio created a house with a large porch that includes a wide ramp to accommodate Ora Lee's wheelchair. The sharply angled wing-like porch roof accounts for the nickname "Butterfly House." The two-story roof design allows for ample air circulation and also channels rainwater into a cistern. Costs were kepted low by using tin for the roof and heart pine recycled from an old church.
In addition to designing and building individual homes, the Rural Studio, under Mockbee, built a range of distinctive structures
including chapels, churches, community centers, playgrounds, and outdoor pavilions. All the work combined Mockbee's modern
aesthetic with his appreciation of southern vernacular forms, such as big overhanging roofs and wide porches.
How it Works
Each semester, approximately 15 second-year students and a comparable number of fifth-year students live and work in and around Newbern, a town consisting of a general store and a post office. In the early days of the Rural Studio, students chose a client from a list provided by the Hale County Department of Human Resources. More recently, professors have chosen the clients.
The second-year students, who stay one semester working on a house, meet with family members to identify their needs and then
design a suitable dwelling and lay a foundation. The next semester, a new group of students continues the work, modifying
the design as needed. It takes approximately a year to finish a house. The fifth-year students spend a full academic year
in Hale County and work in small groups on community-oriented projects. In 1999, the studio established an outreach program for students from other universities and other disciplines who work on projects
of their choosing. Some of their projects are architectural; some serve other community needs. The studio has collaborated
with many local civic organizations, such as the Hale Empowerment and Rehabilitation Organization (HERO) in Greensboro, for
which the studio renovated a storefront and designed and built a community center and playground.
A Change of Leadership
In 1998, Mockbee was diagnosed with leukemia, and in late December 2001 succumbed to the disease. Andrew Freear, an associate professor and Mockbee protégé hired in 2000, became co-director. Ruth left in 2002 to lead a different program back at Auburn University, and Bruce Lindsey, then head of Auburn's architecture department, stepped in alongside Freear to become co-director. Lindsey subsequently left Auburn and Freear assumed the leadership position.
Shortly after Mockbee's death, Auburn committed $400,000 a year to the studio for operating expenses, providing it with financial stability for the first time. The Rural Studio also added a board of directors consisting of Mockbee's widow, donors, Auburn University administrators, and community leaders from the Black Belt region. The board initially provided oversight and direction, but its main purpose now is to raise the approximately $300,000 a year needed to help fund projects and pay other expenses.
The studio has changed under Freear, not in spirit but in particulars. In part, the evolution is a reflection of Freear's intensity. Mockbee, who returned to his home in Canton, Mississippi, each weekend, was the studio's easygoing spirit, whereas for Freear the studio is all-consuming. Freear concentrates on fifth-year projects, and during his tenure the studio's focus has shifted more emphatically from the rural house to community-oriented buildings that have grown larger, more complex, more socially significant, and more numerous. During the studio's early years, students built one house and, at most, two modest community buildings a year.
Freear has tried, above all, to raise the level of craft, which means an increased emphasis on planning and drawing, either by computer or by hand. He views drawings as a means for design teams to communicate better among themselves, better convey ideas to clients, and complete projects more quickly. Freear spends hours listening to students rehearse their client presentations, which they must do in layman's language. He believes such presentations are a much-missed part of architectural education.
The fire station in Newbern showcases some characteristics of the post-Mockbee Rural Studio. There is a shift of esthetic: sophistication has replaced quirkiness and off-the-shelf materials have replaced reclaimed materials. The structure, completed in 2004, is an elegant, twenty-first century version of a barn that reflects Freear's aim to create buildings that require little or no maintenance. It is clad in pine and translucent polycarbonate, with south-facing horizontal cedar slats to provide shade in summer and admit low winter light. The interior is dominated by an exposed structure of steel and timber wall trusses stretched taut by heavy-gauge steel cables and metal anchors.
The studio also now tackles multi-year, phased projects. One example is the renovation of Perry Lakes Park, in Perry County, Hale's neighbor to the west. An aluminum and cedar pavilion, completed in 2002, marked the beginning of the renovation.
During the next academic year, students added three unusual restrooms: one is clad in stainless steel and cedar and focuses on a single tree; another rises 50 feet and is open to the
sky, and the third is a raised square with a horizontal slit-opening. In 2005, students completed a 140-foot-long metal and
cypress covered bridge that spans a bayou-like lake and makes the park's more beautiful east side accessible by foot. As the
projects have gotten larger and more complicated, the studio has tended to use fewer nontraditional materials, but its commitment
to recycling and sustainability remains strong.
The Effect and Influence of the Rural Studio
The influence of the Rural Studio is difficult to quantify. Daniel Friedman, dean of architecture at the University of Illinois, Chicago, says the studio has changed architectural education. Bill Carpenter, author of Learning by Building: Design and Construction in Architectural Education, observes that in 1992 there were eight or 10 university-based design and build programs, and today there are at least forty. He says much of that increase is attributable to the charismatic Mockbee. The Rural Studio's graduates, many of whom work in community architecture, are the program's most enthusiastic boosters. Rural Studio clients offer nothing but praise for the programs and participants. A mother of six notes that her prior living conditions had been so chaotic that the state had separated her from her children. After her Rural Studio house was completed, the family was reunited.
Dean, Andrea Oppenheimer, and Timothy Hursley. Rural Studio: Samuel Mockbee and an Architecture of Decency. New York: Princeton Architectural Press, 2002.
Andrea Oppenheimer Dean
Published February 14, 2008
Last updated November 29, 2011