Mobile native Eugene Sledge (1923-2001) is renowned outside of Alabama largely for his graphic portrayal of combat in the Pacific during World War II, With the Old Breed: At Peleliu and Okinawa. Inside the state, he also was a professor of biology popular with students at the University of Montevallo, where he taught for many years.


After additional training in New Caledonia and on Pavuvu in the Solomon Islands, Sledge saw heavy combat for the first time on the island of Peleliu in September 1944. The physical and emotional experience marked him for life. After rest and rehabilitation on Pavuvu and maneuvers on Guadalcanal and Ulithi, Sledge's unit went into combat again on Okinawa on April 1, 1945. The battle for Okinawa was the costliest single campaign of the Pacific War: in almost three months of fighting, more than 50,000 U.S. soldiers, sailors, and Marines were killed, wounded, or listed as missing in action. Sledge, known as "Sledgehammer" to his comrades, was in combat on Okinawa for 82 days, until the island was declared secured on June 23, 1945. Despite the heavy casualties in his unit, he survived the war without being physically wounded. It took him years, however, to recover from the psychological aftereffects of combat.

In 1960, Sledge graduated from the University of Florida with a doctorate in zoology. After working two years for the Florida State Department of Agriculture, he joined the biology faculty of Alabama College (now the University of Montevallo), where he taught introductory biology, physiology, and the history and philosophy of science, a favorite subject. He organized field trips and collecting expeditions around town and in neighboring counties and was regarded with affection by his colleagues and students. Sledge specialized in nematodes and their effects on crops and trees. He joined the Helminthological Society of Washington in 1956 and published numerous articles on nematodes in scientific journals. Sledge retired from Montevallo in 1990.

With the Old Breed has earned wide recognition from historians and veterans as one of the best first-hand accounts of combat in the Pacific during World War II. Sledge's writing is characterized by straightforward, almost clinical descriptions of infantry combat and its physical and psychological effects, describing in detail the physical struggle of living in a combat zone and the debilitating effects of constant fear, fatigue, and filth. The memoir also contains harrowing episodes of brutality by U.S. Marines and Japanese soldiers alike, and Sledge wrote honestly of the hatred that both armies harbored for each other, manifested in the desecration of corpses that was practiced by both sides. Sledge described Marines "field stripping" dead Japanese soldiers—and, in one case, a severely wounded but still living Japanese soldier—for gold teeth and other trophies. The moral turning point of the book occurs when Sledge is dissuaded from pulling gold teeth from a Japanese corpse by his unit's medical corpsman, who warned him that they might carry disease. Sledge reflects that the corpsman helped him retain some of his humanity.
Despite its emphasis on the horror and waste of war, With the Old Breed is distinguished by Sledge's pride in his military service and his admiration for the bravery and sacrifices of his comrades. Nor did the wartime experiences turn Sledge toward pacifism. In the epilogue to his second memoir, China Marine, Sledge related that he did not lament using his mortar, rifle, and Thompson submachine gun to kill enemy soldiers, but did regret those he missed. This unapologetic statement may sound strange today, when the very notion of "the enemy" is a difficult concept for many Americans to grasp.
Sledge's World War II memoirs have influenced other writers. Pulitzer Prize–winning author Louis "Studs" Terkel interviewed Sledge for his renowned oral history collection "The Good War" (1984). More recently, filmmaker Ken Burns drew heavily on Sledge's memoirs for his 2007 PBS documentary on World War II, The War. Home Box Office (HBO) used With the Old Breed, and Robert Leckie's Helmet for My Pillow as the basis for 2010 miniseries The Pacific, the successor to the 2001 HBO miniseries Band of Brothers.

Additional Resources
Ambrose, Hugh. The Pacific. New York: New American Library/Penguin Publishers, 2010.
Davis, Russell G. Marine at War. Boston: Little, Brown, 1961.
Dower, John W. War Without Mercy: Race and Power in the Pacific War. New York: Pantheon Books, 1986.
Feifer, George. Tennozan: The Battle of Okinawa and the Atomic Bomb. New York: Ticknor & Fields, 1992.
Fussell, Paul. Wartime: Understanding and Behavior in the Second World War. New York: Oxford University Press, 1989.
Hunt, George Pinney. Coral Comes High. New York: Harper & Bros., 1946.
Sledge, Eugene B. With the Old Breed: At Peleliu and Okinawa. 1981. Reprint, Novato, Calif.: Presidio Press, 2007.
———. China Marine: An Infantryman's Life after World War II. Tuscaloosa: University of Alabama Press, 2002.
Sloan, Bill. Brotherhood of Heroes: The Marines at Peleliu, 1944: The Bloodiest Battle of the Pacific War. New York: Simon & Schuster, 2005.
Terkel, Studs. "The Good War": An Oral History of World War Two. New York: Ballantine, 1985.
Ward, Geoffrey C. The War: An Intimate History, 1941-1945. With an introduction by Ken Burns. New York: Knopf, 2007.